And this is what lies at the heart of Panagea Explorations, taking ordinary people out to sea, to witness and research the growing problem of marine plastic debris. And this is what lies at the heart of Selfridges’ exhibition also. A concept model of Sea Dragon is surrounded by five beautifully designed items, each of which are representations of the five ocean gyres, by artist duo Studio Swine.
Read MorePost Tagged with: "Studio Swine"
Project Ocean: A Sea Change
Our oceans are full of plastic, and fragments of fishing nets, bottle lids, microbeads and cotton buds are some of the most dangerous things that lurk in the deep. Yesterday was the first in a series of events this summer run by Selfridges Project Ocean, the Zoological Society London and a host of other amazing partners in the Ultralounge at Selfridges, in an effort to rethink the stories we tell ourselves about plastic.
Read MoreAdios
Lanzarote, on the horizon for hours as a question mark – cloud or land? – came into focus as an extended sprawl of volcanic hills. A fantastically arid landscape, all browns and tans like the dried pelt of a brindled creature, a stark contrast to the lush greens of the Azores. Clusters of white buildings ran in lines like barnacles on a low-tide rock.
Read MoreStudio Swine and the Golden Machine
Reconfiguring our conception – and use – of ‘waste’ is a theme running through Studio Swine’s work, which has seen them crafting chairs from aluminium cans in Brazil, and extraordinarily beautiful, tortoiseshell-like table-tops and other objects from human hair and bio-resin in China. They first became interested in ocean plastic after Alex heard a BBC Radio 4 programme about a previous Sea Dragon voyage from Brazil to South Africa through the South Atlantic gyre. On our current journey, as we lower the fish-mouthed trawls into the sea for the daily collection of plastic and plankton, we’re witnessing an intriguing, real-time intersection of science and art.
Read More
